f02
photography
escrituras
realized
variable
2011

escrituras

The word does not merely explain: it names, draws, summons and produces reality. Between form and thought, between what can be said and what remains unnamed, language also becomes a trace.

medium
digital photography, black and white
dimensions
variable
year
2011
venue
via dell’amore
01 — omero
01 — omero
—the series9 photographs

The Escrituras series gathers photographic records made in 2011 along the Via dell’Amore, a path that is part of the Cinque Terre, in the Liguria region, Italy. Inscriptions, names, declarations, drawings and marks left on the stone turn the landscape into a collective surface of writing.

More than documenting messages, the photographs observe the gesture of inscribing: the attempt to fix in matter what is by nature unstable — affection, memory, presence, promise. Anonymous, overlapping words cross time, lose context and authorship, but preserve the intensity of the impulse that produced them.

02 — non strappare le piante e fiori
03 — le nereidi
02 — non strappare le piante e fiori
03 — le nereidi
04 — paride
05 — cupido
04 — paride
05 — cupido
06 — concordia
07 — tersicore
06 — concordia
07 — tersicore
08 — la bella elena
09 — eros
08 — la bella elenaframe · tauari wood
09 — erosframe · tauari wood

In Escrituras, the stone works simultaneously as support, archive and body. Language stops being only signification and comes to exist physically: scratched, engraved, erased, repeated and rewritten. What remains is not necessarily what was said, but the evidence that someone needed to say it.

—specification9 items
type
photographic series
photography
digital, black and white
printing
fine art, mineral pigments on 100% cotton paper, museum quality
mounting
passe-partout or apparent margin, according to the exhibition configuration
frame
natural tauari wood fillet, with a canvas/channel-type system
glass
museum glass, optional
dimensions
variable
presentation
each photograph can be presented individually or in sets, diptychs, triptychs and modular groupings, preserving the original proportion of each image
edition
open · dimensions determined according to the exhibition project

The word does not merely explain:
it names, draws, summons and produces reality.